Learn How to Play the Best Brooks & Dunn Guitar Songs

Whether you’re strumming along to “Neon Moon” or kicking it up with “Boot Scootin’ Boogie,” you’ll find easy chord sheets, rhythm breakdowns, and video demos to help you master their biggest country-rock hits.

Boot Scootin' Boogie was released as the fourth single from their debut studio album, "Brand New Man," in 1992. The song was written by Ronnie Dunn and was inspired by the popular line dance of the same name.

"Boot Scootin' Boogie" is an infectious and upbeat country song with a catchy melody and danceable rhythm. It became a massive hit for Brooks & Dunn and is one of their signature songs. The song's lyrics celebrate a lively country dance party where people come together to "boot scoot" on the dance floor, making it a favorite at clubs, parties, and country dance halls.

As one of the duo's iconic tracks, "Boot Scootin' Boogie" is often associated with the resurgence of line dancing in the early 1990s and continues to be a classic in the country music genre.

Heart Letting Go is a soulful and reflective track that first appeared on Ronnie Dunn’s 2014 solo album Peace, Love and Country Music. While the song is technically a solo effort, it is often celebrated by Brooks & Dunn fans for its high-quality songwriting, having been co-written by the powerhouse team of Ronnie Dunn,

Al Anderson, and a then-rising star named Chris Stapleton. The recording features an unhurried, melodic arrangement that puts Ronnie’s legendary baritone front and center, a signature of his production work with Jeff Balding.

While it was not released as a commercial radio single and did not have a high-budget music video, the song has gained significant traction on digital platforms as a "hidden gem" that showcases Ronnie’s ability to bridge the gap between traditional country and contemporary soul.

Little Miss Honky Tonk is a high-energy, "barn-burning" anthem that served as the third single from the 1994 album Waitin' on Sundown. Written by Ronnie Dunn, the song reached the number one spot on the Billboard Hot Country Singles & Tracks chart in early 1995.

The music video is a creative and playful highlight, directed by Sherman Halsey and featuring Kix Brooks as a "wizard" who magically transforms a rusty station wagon and a dusty mechanic into a sleek pickup truck and a "honky tonk" queen.

Interestingly, the video captures the duo’s signature blend of humor and high-energy performance that helped them dominate the 1990s country scene. The track is recognized for its driving beat and its celebration of the vibrant nightlife culture of the American South.

Lost And Found was a #6 in both the US and Canada from the album Brand New Man.

The Brand New Man album released 5 singles over the 1991-1992 time frame and this track appears on their album "#1's... and then some," which was released in 2009. The album is a compilation of their greatest hits, including many of their chart-topping singles, along with a few new tracks.

"Lost & Found" is one of the new tracks included on the "#1's... and then some" album. It was the last hit single from that album with Kix Brooks singing lead. And the first not to hit the top spot on the country charts.

Are we saying Ronnie should have sung that one?

My Maria is a global country-rock phenomenon that served as the lead single for the 1996 album Borderline. Originally a top-ten pop hit for B.W. Stevenson in 1973, Brooks & Dunn’s version achieved even greater heights, reaching number one on the Billboard country charts and becoming the Number One Country Song of 1996.

The track famously won the duo a Grammy Award and features Ronnie Dunn’s incredible falsetto vocal performance. The music video, directed by Michael Oblowitz, is a stylish and cinematic production that helped the song achieve massive crossover success.

The original co-writer, Daniel Moore, stated that Stevenson had to be convinced to finish the song, but for Brooks & Dunn, it became an immediate signature anthem that defined their mid-90s peak and remains a staple of classic country radio.

My Next Broken Heart was released as the second single from their debut studio album, "Brand New Man," in 1991. The song was written by Kix Brooks, Don Cook, and Ronnie Dunn.

"My Next Broken Heart" is an uptempo country song that tells the story of a person who is cautious about entering a new relationship due to past heartbreaks. The lyrics reflect on the fear of getting hurt again but also the willingness to take a chance on love once more.

As one of the early hits in their career, "My Next Broken Heart" remains a classic song in Brooks & Dunn's repertoire and is often remembered as one of their signature tracks.

Neon Moon was released as the third single from their debut studio album, "Brand New Man," in 1992. The song was written by Ronnie Dunn and was one of the duo's biggest hits.

"Neon Moon" became a No. 1 hit on the Billboard Hot Country Songs chart and remains a timeless favorite among country music fans.

Over the years, "Neon Moon" has been covered by various artists, but Brooks & Dunn's version remains the definitive rendition and a significant part of their musical legacy.

Only In America was released as the second single from their seventh studio album, "Steers & Stripes," in 2001. The song was written by Kix Brooks, Don Cook, and Ronnie Rogers.

"Only in America" is an uplifting and patriotic country song that celebrates the opportunities and dreams that America represents. The lyrics highlight the American spirit of perseverance, unity, and the belief in achieving success through hard work and determination.

The song struck a chord with audiences, especially in the aftermath of the September 11, 2001, terrorist attacks when its message of hope and unity resonated deeply with the nation. "Only in America" quickly became a hit and reached the No. 1 spot on the Billboard Hot Country Songs chart but failed to rank in Canada.

Over The Next Hill is a spiritual and evocative track that appears on the 2005 album Hillbilly Deluxe, featuring guest vocals from Mac Powell of the Christian rock band Third Day. Originally written and recorded by the legendary Johnny Cash, the song was chosen by the duo as a way to honor their musical roots while incorporating a contemporary gospel influence.

While it was never released as a commercial single, the track is highly regarded by fans for its deep, resonant arrangement and the powerful harmonic blend between Dunn and Powell. No official music video was produced for the song, but it became a significant live favorite during their "Hillbilly Deluxe" world tour.

The song captures a more reflective and faith-driven side of the duo’s catalog, proving their versatility beyond the standard honky-tonk hits.

Red Dirt Road was released as the second single from their ninth studio album, "Red Dirt Road," in 2003. The song was written by Kix Brooks and Ronnie Dunn.

"Red Dirt Road" is a nostalgic country ballad that reflects on the memories and experiences of the narrators as they grow up in a small town. The "red dirt road" serves as a symbol of their past and the journey they have taken to get to where they are now.

"Red Dirt Road" is considered one of Brooks & Dunn's signature songs, and it remains a well-loved track among country music fans.

Rock My World is a rhythmic and spirited track that served as the fourth single from the 1993 multi-platinum album Hard Workin' Man. Written by Bill LaBounty and Steve O'Brien, the song reached number two on the Billboard Hot Country Singles & Tracks chart.

This recording is notable for being one of the rare singles to feature Kix Brooks on lead vocals, showcasing his energetic and engaging delivery. While no high-budget narrative video was produced, the song became a staple of their legendary live shows, often accompanied by massive crowd participation.

The song’s success helped the album produce a record-breaking five Top 5 hits, solidifying Brooks & Dunn’s status as the premier country duo of the decade. Its infectious groove and relatable lyrics about a "little country girl" made it a quintessential 90s country radio favorite.

She Used To Be Mine is from their album "Hard Workin' Man," which was released in 1993.

"She Used to Be Mine" is a poignant country ballad that tells the story of a man reminiscing about a lost love. He reflects on the memories of their relationship and the woman she used to be before they drifted apart.

"Hard Workin' Man" was a successful album for Brooks & Dunn and included other hits like the title track "Hard Workin' Man" and "Rock My World (Little Country Girl)." "She Used to Be Mine" showcases the duo's ability to deliver heartfelt and powerful songs that resonate with their audience.

The track hit #1 in both Canada and the US.

We'll Burn That Bridge is a high-octane, rhythmic hit that was released in mid-1993 as the second single from the album Hard Workin' Man. Written by Ronnie Dunn and Don Cook, the song reached number two on the Billboard Hot Country Singles & Tracks chart and number one on the Canadian RPM Country Tracks chart.

The recording is recognized for its infectious "honky-tonk" shuffle and a driving beat that fit perfectly with the high-energy neotraditional boom of the early 90s. While no formal music video was made for the song, it achieved massive success on digital platforms and became a cornerstone of their live repertoire.

The track features the Arista Tabernacle Choir on backing vocals, adding a unique, celebratory depth to the chorus. It remains a definitive example of the "hard-workin'" sound that the duo perfected during their rise to superstardom.

You're Gonna Miss Me When I'm Gone is a tender and melodic ballad that served as the fourth single from the 1994 album Waitin' on Sundown. Written by Kix Brooks, Ronnie Dunn, and Don Cook, the song reached the number one spot on the Billboard country charts in September 1995.

This track is significant as it remains the only number-one hit of the duo’s career to feature Kix Brooks on lead vocals. The music video is a simple but effective performance-based clip that puts the focus on Kix’s emotive delivery. Interestingly, Billboard magazine praised the song as a "welcome change of pace" from their typical barn-burners, showcasing a more sensitive and vulnerable side of their artistry.

Its chart-topping success proved that Kix’s vocal contributions were every bit as commercially potent as Ronnie’s, further solidifying the duo's balanced partnership.