Best Eric Clapton Songs
On The Acoustic Guitar

Alberta is a traditional blues standard famously associated with Lead Belly, which Eric Clapton revitalized for his 1992 Unplugged album. Clapton’s rendition is a lively, upbeat shuffle featuring a driving 12-string guitar rhythm that gives the track a full, vibrant sound.

Although officially titled "Alberta," Clapton’s arrangement is musically based on the similar folk-blues song "Corrine, Corrina." The infectious tempo and catchy melody make it one of the most spirited performances from the Unplugged session, showcasing Clapton's ability to transform a simple folk tune into a rousing acoustic rocker.

Layla was co-written by Eric Clapton and Jim Gordon back in 1970 while Clapton was still a part of Derek And The Dominos. The song also has some roots to the fact that Clapton had a desire for Patti Boyd, who was George Harrison's girl at the time.

The original version of this song was in 1972 but the Unplugged version in 2004 was the most successful winning a Grammy that year for the best rock song.

The song also made it into the Grammy Hall Of Fame in 1998.

Malted Milk is a Robert Johnson blues classic from 1937, reimagined by Eric Clapton for his 1992 Grammy-winning album, Unplugged. Clapton’s rendition features a stripped-down, intimate arrangement highlighted by his impressive acoustic slide guitar work.

The lyrics depict a man struggling with lost love, drinking malted milk in a desperate attempt to "drive my blues away." With its melancholy vibe and emotive vocals, Clapton’s version honors the original while showcasing his deep connection to the blues.

It remains a standout track that perfectly captures the raw, acoustic spirit of the Unplugged session.

Running On Faith was written by Jerry Lynn Williams and first appeared on Clapton’s 1989 album Journeyman. However, the song found a second life with a celebrated acoustic version on the 1992 Unplugged album.

This gospel-tinged ballad features soulful vocals and magnificent slide guitar work, often played on a Dobro in acoustic performances. The lyrics speak of reliance on love and faith to navigate life's struggles.

The stripped-back Unplugged rendition highlights the song’s spiritual undertones and remains a favorite among guitarists for its smooth, melodic slide phrasing.

San Francisco Bay Blues  was recorded by Jessie Fuller back in 1954 and over the years has been recorded by nearly 100 artists including Eric Clapton, Tom Rush, The Rooftop Singers and many others, and in many languages.

Eric Clapton's version of "San Francisco Bay Blues" appeared on his 1992 live album "Unplugged," which was a highly successful acoustic performance.

His rendition of the song helped introduce it to a new audience and remains one of the more popular versions of the track. Clapton's performance on "Unplugged" contributed to the song's enduring popularity.

Tears In Heaven is arguably Eric Clapton’s most emotional work, written following the tragic death of his four-year-old son, Conor.

Featured on the Rush soundtrack and the 1992 Unplugged album, the song won three Grammy Awards, including Song of the Year. Played on a nylon-string Spanish guitar, the track features a distinctive, melodic fingerpicking pattern. Its heartbreaking lyrics ask if he would be recognized in the afterlife.

The song marked a turning point in Clapton’s career, showcasing deep vulnerability and proving the healing power of music.

Bell Bottom Blues is a soulful masterpiece from the 1971 Derek and the Dominos album, Layla and Other Assorted Love Songs. The song was inspired by Pattie Boyd—then married to George Harrison—who asked Clapton to bring her a pair of bell-bottom jeans from America.

Clapton transformed this simple request into a metaphor for heartache, singing of a heart "hanging upside down." Characterized by its slow tempo, melancholic melody, and passionate vocals, the track captures the raw pain of unrequited love.

It remains one of Clapton’s most beloved songs and a consistent highlight of his live performances, celebrated for its emotional intensity and guitar mastery.

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Easy Now is a poignant acoustic ballad from Eric Clapton’s 1970 self-titled debut solo album. Characterized by a laid-back tempo and minimalistic guitar work, this slow blues number features some of Clapton's most heartfelt vocals. Lyrically, the song serves as a personal plea for self-care during his battles with addiction, urging himself to not push too hard.

While never released as a standalone A-side, it achieved chart success as the B-side to both "After Midnight" and "Let It Rain."

Its simple, introspective arrangement has made it a lasting fan favorite and a testament to Clapton’s vulnerability as a songwriter.

I Shot the Sheriff is a 1973 Bob Marley anthem that achieved massive mainstream success through Eric Clapton’s 1974 cover. Recorded for his album 461 Ocean Boulevard, the track marked a significant stylistic shift, blending Clapton’s trademark blues guitar with laid-back reggae rhythms.

This unique fusion propelled the song to the Top 10 on the Billboard Hot 100 and earned Clapton his first #1 hit. Lyrically, the song narrates a tale of self-defense against authority, resonating with themes of social justice. Clapton’s version remains a definitive crossover classic, bridging the gap between rock and reggae history.

I've Got a Rock 'n' Roll Heart was recorded by Eric Clapton for his 1983 album "Money and Cigarettes." The track was written by Troy Seals, Eddie Setser, and Steve Diamond and features a catchy, upbeat melody and a classic rock 'n' roll vibe.

The song was released as a single in 1983 and became a hit in the US, reaching the top 20 on the Billboard Hot 100 chart. "I've Got a Rock 'n' Roll Heart" features Clapton's signature guitar playing, with a prominent guitar riff throughout the song and a brief but impressive guitar solo.

This song is a classic example of Eric Clapton's ability to craft memorable, feel-good rock songs. The track remains a favorite of Clapton fans and is often included in his live shows.

Lay Down Sally features a memorable guitar riff and solo from Clapton, as well as a catchy chorus and a prominent backing vocal from Marcy Levy.

The track's lyrics tell the story of a woman who is hesitant to commit to a relationship, with Clapton urging her to "lay down Sally, and rest you in my arms." The song's upbeat, relaxed feel and country influences set

it apart from some of Clapton's more blues and rock-oriented work.

Let It Rain is a standout track from Eric Clapton’s 1970 self-titled debut, often called "The Brown Album." Featuring a catchy, driving riff and melodic solos, the song highlights Clapton’s signature guitar style alongside impressive keyboard work from frequent collaborator Bobby Whitlock.

Released as a single in 1970, it became a UK Top 50 hit and has appeared on countless compilations since. The lyrics serve as an anthem of freedom, anchored by the iconic chorus, "Let your love rain down on me." With its upbeat energy and positive vibe, "Let It Rain" remains a dedicated fan favorite and an enduring staple of Clapton’s live repertoire.

Promises is a standout hit from Eric Clapton’s 1978 album Backless. Written by Richard Feldman and Roger Linn rather than Clapton himself, this lively track showcases a breezy, country-rock influence distinct from his heavier blues work. It became a massive commercial success, reaching the Top 10 on the US Billboard Hot 100.

Lyrically, the song depicts a man earnestly trying to maintain his commitment to a lover, anchored by the hook, "I'll keep my promises." With its infectious, upbeat arrangement and driving guitar rhythm, it remains a beloved pop-rock staple in Clapton's extensive catalog and a frequent highlight of his live performances.

Thorn Tree In The Garden  is the hauntingly beautiful closing track of the 1970 Derek and the Dominos masterpiece, Layla and Other Assorted Love Songs.

Written and sung by keyboardist Bobby Whitlock rather than Clapton, the song is a stark, acoustic ballad about a relationship that appears perfect on the surface but hides a painful reality.

Clapton contributes delicate acoustic guitar and Dobro accompaniment, providing a somber, perfect ending to an album fueled by intense emotion and heartbreak. It remains a hidden gem that highlights the collaborative magic of the band.

Watch Out for Lucy was recorded for Clapton's  1978 album "Backless." The song was written by J.J. Cale, who was a close friend and frequent collaborator of Clapton's.

"Watch Out for Lucy" is an upbeat blues-rock track that features Clapton's signature guitar work and soulful vocals. The song's lyrics caution the listener about a woman named Lucy who is "mean and reckless" and "can really do you in." Despite the ominous subject matter, the track has a fun, lighthearted feel and features some lively piano work and a catchy chorus.

Clapton put this song on the B-Side of his 1978 single release of "Promises".

Wonderful Tonight s one of Eric Clapton’s most beloved ballads, appearing on his 1977 album Slowhand. The song was famously written while Clapton was waiting for his then-girlfriend, Pattie Boyd, to get dressed for a Paul McCartney party.

Known for its gentle, romantic melody and signature guitar riff, it has become a global wedding classic. The lyrics capture a simple, intimate moment of admiration.

A massive commercial success, the song demonstrates Clapton's softer side and his ability to craft enduring pop-rock melodies alongside his heavier blues work.

Before You Accuse Me is a 1957 Bo Diddley blues standard that became a standout hit for Eric Clapton on his 1989 album Journeyman. Clapton's rendition features a classic blues-rock arrangement, driven by his signature guitar riffs and a powerful rhythm section.

Achieving Top 40 success on the Billboard Hot 100, it has become an essential staple of his live performances. The lyrics deliver a sharp warning to a lover, urging them to examine their own actions before casting blame.

While legendary acts like Creedence Clearwater Revival and The Animals have also covered the track, Clapton’s version remains a definitive example of his blues mastery.

Further On Up The Road is a classic 1957 Texas shuffle originally recorded by Bobby "Blues" Bland. Eric Clapton reimagined the track—tweaking the title from "Farther" to "Further"—for his 1975 album There's One in Every Crowd. It quickly became a high-energy staple of his live repertoire.

Clapton’s rendition transforms the standard into a driving rock anthem, showcasing his fiery guitar solos and soulful vocals. Lyrically, the song uses the road as a metaphor for life’s journey and the endless search for love. With its infectious rhythm and commanding performance, it stands as a definitive example of Clapton’s mastery of the blues-rock genre.

How Deep Is The Ocean is a timeless 1932 Irving Berlin standard, reimagined by Eric Clapton for his 2010 self-titled album. Stepping away from traditional blues, Clapton delivers a sophisticated, jazz-infused arrangement characterized by smooth vocals and a slow, melodic guitar intro that builds into a rich backing of piano and saxophone.

The lyrics explore the boundless nature of love using the ocean as a metaphor. Clapton’s performance is sensitive and heartfelt, honoring Berlin’s songwriting while showcasing his own versatility as an artist. It is a standout track that demonstrates Clapton's ability to masterfully interpret the Great American Songbook with his signature style.

I Can't Stand It is a driving blues-rock anthem written by Eric Clapton for his 1981 album Another Ticket. Showcasing his signature guitar style, the track features a catchy riff and a simple, effective chorus that sets it apart from his more introspective work.

The song is notable for its high energy and upbeat feel, proving Clapton’s ability to craft memorable rock radio hits. Commercially, it was a massive success, soaring to #1 in Israel and on the US Top Rock Tracks chart, while also crossing over to hit #10 on the Billboard Hot 100.

It remains a powerful example of Clapton’s rock songwriting prowess.

Kindhearted Woman Blues is a cornerstone of the blues canon, originally recorded by Robert Johnson in 1936 as his very first release. Eric Clapton, a lifelong devotee of Johnson, has performed this slow blues standard throughout his career, including a notable live version on his 1975 album E.C. Was Here.

The song features intricate guitar work that mimics Johnson’s complex Delta style, blending bass lines and melody simultaneously. Lyrically dealing with the complications of love, Clapton’s faithful interpretation serves as a direct tribute to the blues master who shaped his entire musical identity.

My Father's Eyes is a deeply personal standout from Eric Clapton's 1998 album Pilgrim. Inspired by the fact that Clapton never met his father, the song explores themes of identity, loss, and redemption. Musically, it is driven by a simple yet haunting acoustic riff and lush string arrangements that perfectly complement the melancholy lyrics.

Clapton’s vocal performance is raw and emotional, reflecting on his father's absence and his own life journey. Reaching the Top 20 in the UK and winning a Grammy for Best Male Pop Vocal Performance, it remains a critical success. The track stands as a testament to Clapton's ability to transform personal pain into exquisite musical beauty.

Ramblin' On My Mind is a seminal Robert Johnson blues standard from 1936, famously covered by Eric Clapton on the 1966 album Blues Breakers With Eric Clapton. Historically significant, this track marks Clapton’s very first lead vocal performance on a recording.

The version features a slow, mournful arrangement that perfectly captures the song's melancholy tone and highlights Clapton’s deep connection to the blues. Lyrically, it expresses a profound sense of restlessness and dissatisfaction.

With its sparse, authentic delivery, this track remains a timeless example of Clapton’s early mastery and respect for the Delta blues tradition.

Rockin' Chair is a classic 1929 blues standard written by Hoagy Carmichael. Eric Clapton recorded his cover for the 1976 album No Reason to Cry. This slow, bluesy rendition features Clapton’s signature guitar work alongside exceptional piano accompaniment from the legendary Dr. John.

Lyrically, the song reflects on aging and weariness, capturing a mood of resignation with lines like, "I sit here in my rockin' chair, feelin' kind of low and square." While the song has been covered by greats like Louis Armstrong, Clapton’s soulful performance and the track's melancholy melody make this version a memorable standout in his discography.

They're Red Hot is a lively 1936 Robert Johnson track covered by Eric Clapton for his 1994 blues tribute album, From The Cradle. Unlike the typical slow blues associated with Johnson, this song features an upbeat, swinging arrangement complete with horns and a catchy resonator guitar riff.

The lyrics describe a street vendor selling "red hot" tamales, and Clapton’s vocal performance captures the song's fun, carefree energy perfectly. It remains a standout track that honors the original's roots. For a special treat, look for the YouTube rehearsal clip of Clapton and the late Billy Preston working in the studio to nail the final take.