If you're a fan of Johnny Cash and love playing acoustic guitar, you're in the right place.

This collection of great Johnny Cash guitar songs features ten more fan-favorite tracks that showcase the storytelling, rhythm, and timeless charm of The Man in Black.
Whether you're drawn to his outlaw attitude, stripped-down country sound, or his deep vocal delivery, these songs will keep you strumming with soul.
You'll find helpful chord sheets, rhythm guidance, demo videos, and lesson options for every tune on this list.
Soon.

Goodbye Little Darlin is a heartfelt song by Johnny Cash featured on his 1959 album "Greatest." With its timeless melody and emotional lyrics, the song reached a commendable position at #22 on the US Country Charts.
Cash's distinct voice brings out the emotional depth of the farewell narrative, creating a poignant atmosphere that resonates with listeners. The simplicity of the arrangement allows the emotions to take center stage, showcasing Cash's ability to connect with his audience on a personal level.
I use a capo 2nd fret for this song in standard tuning while playing a down up down up down up rhythm pattern with some walking bass. A bit of picking required in this number while playing the chords G, D, C, G7.

Guess Things Happen That Way is a song from Johnny Cash's 1958 album titled "Johnny Cash Sings The Songs That Made Him Famous." Jack Clement wrote this track, which became Cash's fourth song to reach number one on the country charts, holding that position for eight weeks.
The song tells the story of a man who is going through a tough time after losing the love of his life. It explores the feelings of struggle and loneliness after such a significant loss. Interestingly, when the song was released in 1958, the BBC (British Broadcasting Corporation) banned it because the person in charge of religious broadcasting objected to certain lines.
Play this one using a root down up root up down up and repeat rhythm pattern in standard tuning. There is some picking required with the chords C, G, F, C7 and G7.

Hey Porter marks the inaugural recording by Johnny Cash and the Tennessee Two. Collaborating with bandmates Luther Perkins and Marshall Grant, Cash penned the song after their initial audition with "I Was There When It Happened" was rejected by Sam Phillips, the owner of Sun Records.
Phillips, known for his keen ear, expressed a preference for an up-tempo track reminiscent of Elvis Presley's "That's All Right," steering away from a gospel sound.
"Hey Porter" became the pioneer in a series of railroad-themed songs that would characterize Cash's illustrious career. Following closely was the release of "Folsom Prison Blues," another composition echoing the rhythmic resonance of train tracks.
Hey Porter was recorded in 1954 and wasn't released until 1955. This track also was not on the original debut album from Johnny Cash in 1955 but was added later as a bonus track when the album was re-released.
I play this one with Drop D Tuning and a capo on the 3rd fret. The rhythm pattern required is a root down up down up down up and repeat playing the chords D, E7, A7, D7 and G. There is some picking in this song.

Home Of The Blues is also is a song from Johnny Cash's 1958 album titled "Johnny Cash Sings The Songs That Made Him Famous. It was co-written by Johnny Cash, along with Lillie McAlpin and Glenn Douglas Tubb, and produced by Jack Clement.
Johnny
recorded the song in Memphis, Tennessee, on July 1, 1957, and it became
a single in August of the same year reach #3 on the charts
Other artists have also recorded their versions of the song. Dwight Yoakam did a cover in 1988, Laughing Hyenas in 1995, and Owl City in early 2012. Additionally, Joaquin Phoenix recorded the song for the 2005 film "Walk the Line."
The rhythm for this one is a root down up down up down up and repeat pattern with no lead work required. Played in standard tuning using the E, A, Gb and B7 chords.

Hurt is a song from Nine Inch Nails and was recorded by Johnny for his last album in 2002 entitled American IV:The Man Comes Around.
The song reached #56 on the charts. The video is a very moving piece of work.
No capo required here ans no lead work. Just a combo rhythm pattern of 1-2 up where 1-2 is arpeggio notes - then down-strokes while playing the chords Am, C, D, G and an Fmaj7.

I Walk The Line is a classic hit by Johnny Cash that achieved remarkable success, reaching the coveted #1 spot on the country charts in 1956 and making its mark at #17 on the Pop charts. This early triumph not only catapulted Cash to stardom but also became one of his signature songs.
Featured on his debut album "With His Hot And Blue Guitar," the song's simple yet powerful melody and Cash's distinctive voice made it an instant favorite. Known for its unique blend of country and rockabilly influences, "I Walk the Line" carries a timeless quality that has resonated with audiences for decades.
Another Johnny classic in standard tuning and no picking using the chords A, D, E and B7. For rhythm, play a root down up root down up and repeat pattern.

I Would Like To See You Again is a track from the album of the same name which was released back in 1978 and was Johnny's 57th album.
The song did manage to reach #12 and another song on that album called There Ain't No Good Chain Gang (with Waylon Jennings) hit #2.
For rhythm play a root down up bass down up and repeat pattern in standard tuning using the chords A, D, E and a Gbm. There is some lead required for this song.

If I Were A Carpenter was recorded with June Carter Cash in 1970 for Johnny's album "Hello I'm Johnny Cash".
The song peaked at #2.
I play this in standard tuning using a root down up down up down up rhythm pattern. There is a little lead work to cover using the three chords D, C and G.

In The Jailhouse Now is a lively and memorable song recorded by Johnny Cash, released as a single in 1962. The track, showcasing Cash's distinct blend of country and folk influences, achieved success by reaching the impressive position of #8 on the US Country charts.
This spirited song is known for its energetic tempo and playful lyrics, telling the humorous story of a person who finds themselves in and out of trouble, ending up in the jailhouse. The song is part of Cash's album "The Sound of Johnny Cash," which features a mix of traditional tunes and original compositions.
I play this one using the chords C, G, F, C7 and D7 with a capo on the 1st fret. Use a root down root up down up rhythm pattern. You'll pick a few riffs as you play through the rhythm.

It Ain't Me Babe is a remarkable duet recorded by Johnny Cash and June Carter in 1964. This compelling song, which reached an impressive #4 on the country charts, showcases the chemistry between Cash and Carter, both musically and romantically.
The track is featured on the album "Orange Blossom Special," adding a touch of folk and country charm to the collection.
"It Ain't Me Babe" not only became a chart success but also marked an early collaboration between Cash and Carter, foreshadowing their future musical and personal journey together.
A capo on the 4th fret is where Johnny is on this song playing the chords G, C, G6, D, Am and D7 while blending in a bit of picking. The rhythm pattern used here is a root down up down up down up and repeat.

I've Been Everywhere is a spirited and travel-infused song that found its way into Johnny Cash's repertoire when he included it on his 1996 album "Unchained." Originally written by Australian singer Lucky Starr in 1962, the song showcased a unique concept by listing numerous Australian place names in its lyrics.
However, it gained further popularity when the American version was crafted and first recorded by Hank Snow in the same year. The song became a musical journey across both Australia and the United States, featuring a rapid-fire recitation of various locations.
You can play this song in standard tuning with the three chords E, A and B7. No picking required while you play through the root down up down up down up rhythm pattern.

Jackson is a distinguished vibrant and well-loved duet recorded by Johnny Cash and June Carter in 1967. This spirited song, featured on the album "Johnny Cash's Greatest Hits Vol 1," not only showcases the musical chemistry between Cash and Carter but also highlights their real-life romantic connection.
"Jackson" climbed to an impressive #2 on the US country charts, attesting to the popularity of the duet. The song became a signature piece for Cash and Carter, symbolizing their deep connection and shared musical journey.
Whether you’re drawn to the haunting simplicity of Long Black Veil, the storytelling grit of Delia’s Gone, or the rhythmic bounce of Still In Town, this collection keeps the Johnny Cash vibe rolling.
Each lesson is designed to make these legendary songs accessible and fun to learn on guitar. Be sure to check out the other volumes in this series and keep adding new Cash tunes to your setlist.

Long Black Veil is a classic song originally recorded by Lefty Frizzell in 1959, achieving notable success with a #6 hit. Johnny Cash, known for his adeptness at storytelling through music, later covered the song for his "Folsom Prison Blues" album.
Cash's rendition not only brought a renewed energy to the song but also showcased his ability to connect with diverse audiences, as demonstrated when he played it on his own television show in 1969.
"Long Black Veil" stands as a testament to the enduring power of storytelling through song, especially when delivered by an artist of Johnny Cash's caliber.
Another one in standard tuning with a root down root up down up and repeat rhythm pattern and three chords C, G and F. Some picking to learn in this number.

Luther Played The Boogie was a single from the Johnny Cash album of 1958 entitled "Greatest". The song was written by Johnny Cash about his guitarist at the time called Luther Perkins.
It charted at #8 on the country charts.
I play this with a capo 2nd fret with a root down root up down up rhythm and insert a bit of picking in the middle. For chords you'll need an E, A, Gb and a B7.

Ring Of Fire is one of Johnny Cash's most famous songs, released in 1963. It was co-written by June Carter Cash, Johnny's future wife, and Merle Kilgore. The song's distinctive mariachi-style horns and Cash's deep, emotive vocals contributed to its iconic status.
It's believed that June Carter was inspired to write the song by her feelings for Johnny Cash while he was still married to his first wife.
The song became a
massive hit for Cash, reaching No. 1 on the country charts and crossing
over to the pop charts as well.
For rhythm you can play a root down up down up down up repeat rhythm pattern, where root is the note of the chord.
As shown, in the verse while on C you can add some bass into the rhythm by playing a root down up bass up down up pattern, until you switch to that F chord. You're bass note on C is that F note, either the top E string or the D string. So play that throughout the verse. In the chorus, while on G, you're open D string becomes the bass note, so play that root down up bass up down up there.
And finally you'll want to picking out that horn section as described in the video below and then wrap the bass and rhythm around it all to give you a full sound. All that's needed to finish off the song is vocals, either from you or someone else.

San Quentin stands as a powerful song written and performed by Johnny Cash during his legendary live show at the San Quentin State Prison in 1969. The song captures the raw energy and intensity of that performance, showcasing Cash's unique ability to connect with his audience, especially in the challenging setting of a prison.
While "San Quentin"
became a standout track on the album titled "At San Quentin," it's
noteworthy that, despite its popularity, the song was never released as a
single.
The live recording not only resonated with the audience at San Quentin but also became a symbol of Cash's commitment to using his music to reach people in unconventional settings.
A capo on the 2nd fret will work here playing a root down up bass down up and repeat rhythm pattern. Picking is required in this song while playing the chords A, E and D.

Still In Town hails from the Johnny Cash album Old Golden Throat, which was released in 1969 and was a compilation album of Johnny Cash songs spanning 10 years prior from 1958.
This track was the B-side to the song The Matador, listed below, which reached #2 on the charts.
Johnny played this song with a capo on the 2nd fret in standard tuning. For the rhythm pattern you can play a root down up root up down up and repeat and some picking is required. For chords play G, D, D7, G7, C and an A7.

Tennessee Flat Top Box is a captivating song penned and recorded by the legendary American country music singer Johnny Cash. Released as a single in late 1961, the song achieved significant success, reaching the 11th position on the Billboard country singles charts and making a notable appearance at 84 on the pop charts.
The title of the song, "Tennessee Flat Top Box," is a nod to the steel-stringed acoustic guitar that plays a central role in the narrative. Cash's rich baritone voice, coupled with the catchy melody and rhythmic guitar strumming, adds a layer of authenticity to the storytelling.
No drop D in this one but a capo on the 2nd fret is where this one is and picking throughout. Use the rhythm pattern root down up root up down up and the three chords C, F and G.

The Matador is a song from the Johnny Cash album Old Golden Throat, which was released in 1969 and was a compilation album of Johnny Cash songs spanning 10 years prior from 1958.
This number was written by Johnny and his wife June Carter Cash and reached #2 on the country charts.
Use a simple G, C and D in this one with a capo on the 2nd fret. Play the rhythm pattern down up down up down down and repeat and be prepared for a little bit of lead picking.

Understand Your Man is from the 1964 album "I Walk The Line" and was the first single from that album.
The song hit #1 on the country charts.
This song is played in standard tuning with a root down up down up down up and repeat rhythm pattern in standard tuning. A bit of picking here while playing the chords G, Em, C, D, G7 and A7.

Wanted Man is a notable song with a unique history, written by Bob Dylan for his friend Johnny Cash. The song was first recorded during Cash's iconic live performance at San Quentin in 1969, which was later released as the live album "At San Quentin."
Although "Wanted Man" wasn't initially released as a single, it gained recognition for its collaboration between two music legends. Years later, in 1991, Johnny Cash included the song in his album "The Mystery of Life," but unfortunately, the single release did not chart.
I play this one in standard tuning with a root down up bass up down up and repeat rhythm pattern. A bit of lead required with the four chords G, A, D and a C.
Johnny Cash’s catalog runs deep, and these ten songs offer a mix of heartache, grit, and Americana that’s fun to learn and rewarding to play. Whether you're revisiting old favorites or discovering new ones, each song brings something special to your acoustic guitar journey.
Be sure to check out our other Johnny Cash guitar pages for even more lessons, and explore the full collection to build a setlist worthy of any front porch or stage.

Kirby Swinemar is an acoustic guitar instructor, performer and song arranger who has taught online for 21 years and created more than 4,000 original acoustic guitar lessons. He specialises in song-based acoustic guitar instruction, rhythm guitar techniques, and creating full-sounding solo arrangements that help beginner and intermediate players move beyond basic strumming.
Explore his work at Kirby's Guitar Lessons and on social media on his social media YouTube Channel and his Facebook Page. Learn more about Kirby on his About Me page.