
Welcome to my Steve Earle best songs page which is a continuation from the previous Steve Earle page. If you landed on this page, be sure to check out my other lessons on Steve Earle from the link below.

Copperhead Road was written and recorded by Steve Earle and released in 1988 as the title track from his third studio album. Blending country, bluegrass influences and hard-driving rock, the song tells the story of three generations of Appalachian outlaws.
Beginning with a family moonshine operation, the narrative eventually follows a Vietnam veteran who returns home and turns to growing marijuana on the family property. Its distinctive opening mandolin riff and powerful guitar arrangement helped make it one of Earle's signature recordings.
The song reached #10 on Billboard's Mainstream Rock chart and #45 in the UK. It also inspired a popular line dance that has remained associated with the song for decades.
This one is played in drop D tuning and only has the two chords, D and G. You'll learn the intro bagpipe riff on the guitar, followed by the mandolin piece that is played in the song and then the guitar riffs. The rhythm for most of this one is a down down down up down up as you play the mandolin section but that pattern will also carry over into the guitar lead and guitar riffs section blended with the rhythm. There are also some chop rhythm in this one.
Learn the chords and rhythm first and then learn the intro bagpipe riff and mandolin riff while strumming. Then focus on learning the guitar picking break and riffs.

Down The Road closes Steve Earle's acclaimed 1986 debut album Guitar Town, bringing the record to a reflective conclusion. Written by Earle with songwriting credits also shared by Tony Brown and Jimbeau Hinson, the song explores loneliness, restlessness and the urge to keep moving when life becomes uncertain.
Interestingly, Earle wrote it shortly after completing the album's title track, deliberately creating two songs that would serve as the opening and closing chapters of the record. Producer Tony Brown contributed the opening line, while Emory Gordy Jr. supplied the distinctive mandolin accompaniment.
Although never released as a single, the song remains an important part of the album's storytelling and its recurring themes of life on the road.
The original is played with a capo 1st fret but my version here is with no capo. There is a root down up root up down up rhythm pattern throughout the song with the chords G, Em, C and D. There is also a melody picking break in this number.
Learn the chords and then the rhythm and then come back and work on the picking break with is blended with the rhythm pattern.

Goodbye's All We Got Left was written by Steve Earle and appeared on his groundbreaking 1986 debut album Guitar Town.
Released as the album's fourth single in January 1987, the song climbed to #8 on the US Billboard country chart and #10 in Canada. Its lyrics explore a relationship that has reached the point where separation seems inevitable, capturing the sadness and resignation of two people who have run out of reasons to stay together.
The recording helped establish Earle as a distinctive voice in country music, combining traditional influences with a more contemporary, roots-oriented sound. It became one of two Top 10 country singles from Guitar Town.
This one is played with a capo on the 7th fret with the chords G, C/G, D and a D/Gb. The rhythm is a steady down up down up with a few quick shuffles thrown into the pattern. There is a lead break but it's mainly just rhythm and no riffs or picking notes.
Learn the chords and the rhythm pattern with the quick shuffles added and you'll have this one in no time.

Guitar Town became Steve Earle's breakthrough country hit when it was released in June 1986 as the second single from his debut album of the same name.
Written by Earle, the energetic country-rock song captures the restless life of a travelling musician, chasing dreams from one town to another. It reached #7 on both the American and Canadian country charts, becoming his highest-charting country single. An interesting controversy surrounded one lyric referencing a Japanese-made guitar.
The original album recording used the phrase "Jap guitar," but concerns about its potentially offensive wording prompted producer Tony Brown to request a change to "cheap guitar" for the radio single. Earle later confirmed the alteration in interviews.
You'll play a drop D tuning in this number because the deep bass D note is required for the picking segments. Play a root down up bass up down up while playing the chords G, D and a D. A few riffs as you play through the song and a separate guitar break needed in this song.
Learn the chords and the rhythm first, then add in the bass notes and then come back and work on the riffs and the lead section.

Hard-Core Troubadour appeared on Steve Earle's 1996 album I Feel Alright, released during a remarkable comeback in his career. Written by Earle, the song portrays a restless, hard-living romantic who repeatedly returns to a relationship despite knowing he won't stay.
Its blend of country, rock and rebellious attitude reflects the musical identity Earle had developed throughout his career. Interestingly, Earle began composing the melody several years earlier but completed the lyrics while undergoing treatment for drug addiction.
The song was released as a single in the UK and also appeared on a promotional CD in the United States. It remains a memorable example of Earle's ability to combine humour, vulnerability and personal experience in his songwriting.
This song has a fast pace catchy vibe because the chords change quickly in spots and the steady down up down up rhythm pattern. Played in standard tuning you'll start the song with a quick riff sequence before launching into the song. For chords you'll play a G, Em, C and a D. There are a few riffs throughout the song and a dedicated lead break using a combo of slides and riffs.
Learn the chords and the one rhythm pattern then work on the riffs and the lead break.

Hillbilly Highway was the first single released from Steve Earle's 1986 debut album Guitar Town. Co-written with Jimbeau Hinson, the song reached #37 on the US Billboard country chart and #46 in Canada. Its story follows three generations of a working-class family searching for better opportunities, beginning in the Appalachian coalfields and continuing through Detroit and Houston.
Each generation takes to the road hoping to escape economic hardship, only to discover that the journey never really ends. The youngest generation chooses music rather than traditional employment, reflecting Earle's own experiences as a travelling songwriter.
Blending country storytelling with an energetic rockabilly influence, the recording helped introduce Earle's distinctive sound to a wider audience.
This one is played with a capo 1st fret and I'm using drop D tuning to get the deep bass note you'll here in the original. For rhythm you'll play a root down up root down and repeat because you'll be playing a bass riff throughout the song. There are only two chords which are the G and C chords. You'll play a picking break which will repeat later on in the song.
Learn the two chords and the rhythm, then add in the bass riff and then working on the picking break.

Hurtin' Me Hurtin' You is a Steve Earle composition from his 1996 album I Feel Alright, released during a remarkable period of personal and professional recovery.
The song explores the painful realization that hurting someone you love can be equally damaging to yourself. Rather than placing blame on his partner, the narrator acknowledges his own mistakes and the emotional consequences of his behaviour. Its heartfelt lyrics reveal a more vulnerable side of Earle's songwriting, contrasting with the rebellious characters found in many of his better-known recordings.
Although it wasn't released as a commercial single, the song became part of an album widely praised for its honesty, emotional depth and mixture of country, folk and rock influences.
This song starts off with arpeggio playing and then transitions into a down down up down down down down and then repeats. The chords here are E, A, Dbm, B7 and an E7 and played in standard tuning. There is no lead or riffs in this number.
Learn the chords and the arpeggio rhythm and then the main rhythm pattern.

Johnny Come Lately was written by Steve Earle and featured on his 1988 album Copperhead Road. Recorded in London with Irish band The Pogues, the song combines American country storytelling with traditional Irish instrumentation.
Its lyrics follow a young American soldier arriving in England during World War II, where he meets a local woman and experiences life far from home. The story also draws comparisons with soldiers returning from later conflicts, particularly Vietnam, highlighting how attitudes toward returning veterans have changed.
The Pogues contributed accordion, banjo, tin whistle and other traditional instruments, giving the recording its distinctive Celtic sound. Released as a UK single in December 1988, it reached #75 on the British singles chart.
This song has a bit of a bouncy vibe to it and that comes from the vocal phrasing and the rhythm which is played with a root down root up down up and repeat in standard tuning. There are several picking breaks in this number as you move through the chords G, C, D and Em.
Learn the chords and the rhythm then focus on the lead breaks throughout the song.

Lookin' For A Woman was written by Steve Earle and recorded with his band The Dukes for the 2017 album So You Wannabe an Outlaw. The song follows a heartbroken man searching for someone who won't treat him like his former partner, combining humorous lyrics with a driving outlaw-country arrangement.
Interestingly, Earle originally wrote the number at the request of Buddy Miller for the television series Nashville, although it was never used in the show. He later revisited the composition while preparing an album inspired by the outlaw-country movement of the 1970s, particularly the music of Waylon Jennings.
Released ahead of the album, the recording helped introduce Earle's return to his traditional country roots.
This number starts with a riff blended into the chords but later on there is a separate lead break. Played with a capo on the 2nd fret in standard tuning, you'll play a root down up root up down up rhythm pattern with the chords D, G, F and C.
Learn the chords and then the rhythm pattern, then blend in the opening riff in various places within the song and then go back and work on the lead section.

Nowhere Road opened Steve Earle's 1987 sophomore album Exit 0 and was released as a single in June of that year. Co-written with Reno Kling, who also played bass in Earle's backing band The Dukes, the song reached #20 on the US Billboard country chart and climbed to #7 in Canada.
Its driving country-rock arrangement accompanies a story of loneliness, restlessness and the uncertain life of someone who never seems to find a place to settle. Nearly a decade later,
Waylon Jennings and Willie Nelson recorded their own version for the 1996 twentieth-anniversary edition of Wanted! The Outlaws. Steve Earle also helped produce that recording, bringing the song full circle.
You can play this one in standard tuning while playing the chords G, F, C and D. Play a root down up down up down up and repeat rhythm pattern. There are several riffs embedded within the rhythm in this number along with a few slides.

Now She's Gone was written by Steve Earle and appeared as the fifth track on his 1996 album I Feel Alright. Running just under three minutes, the song tells the story of a woman who has left her former life behind, leaving others to wonder where she has gone. Its folk-influenced arrangement provides a gentler contrast to the harder-edged country-rock recordings found elsewhere on the album.
The song reflects Earle's talent for creating vivid characters and telling their stories without revealing every detail. Although it wasn't released as a single,
Now She's Gone contributes to the album's exploration of love, loss, freedom and personal change, themes that became particularly meaningful during this period of Earle's career.
I play this one in standard tuning with a root down up down up down up rhythm pattern with a few chops required in the rhythm. For chords play a Em, D, C and a G. There is some lead picking in this song.
Learn the chords and the rhythm and add in the chop rhythm where required and then go back and learn the lead section.

NYC was written and recorded by Steve Earle for his 1997 album El Corazón. Featuring the Seattle rock band The Supersuckers, the energetic recording tells the story of a young hitchhiker named Billy who dreams of making a new life in New York City.
Earle later explained that the song reflected his own midlife realization that certain dreams, including living in New York, might never come true. The contrast between the young man's optimism and the older narrator's reflections gives the song its emotional depth. Earle's son,
Justin Townes Earle, also performed his own interpretation of the song, bringing a different musical approach to his father's composition.
This one I play with drop D tuning to get a deeper sound on the D chord but that is optional. Play this one with the three chords G, C and a D. Play a steady down up down up and repeat rhythm pattern with some down stroke chop rhythm in places. There is a picking break in this song.
Learn the chords and then the rhythm pattern with chops, and then go back and work in the lead picking around the rhythm.

Someday was written and recorded by Steve Earle for his 1986 debut album Guitar Town. Released in October 1986 as the album's third single, it reached #28 on the US Billboard country chart and #31 in Canada.
The song follows a young man trapped in a small town, dreaming of escaping his dead-end job and finding something better beyond the highway. Its lyrics capture the frustration and optimism of someone determined to make a different life for himself, themes that became central to Earle's early songwriting.
More than twenty years later, Someday appeared in the 2007 fantasy film Bridge to Terabithia, performed by actress Zooey Deschanel and the Terabithia Choir.
For this one, you'll play it in standard tuning with the chords G, C, D and an Em. Play a steady down up down up rhythm pattern for most of the song with a bass riff throughout. As you progress, the rhythm can be chopped with a combo of the above rhythm and with down strokes while playing the bass riff. There is no lead here but towards the end of the song there is a longer descending bass riff to finish off the song.
Learn the chords and the basic rhythm, and then the chop rhythm. Learn the basic riff and then the longer exiting bass riff near the end of the song.

The Devil's Right Hand was written by Steve Earle in 1977 and later featured on his 1988 album Copperhead Road.
The song tells the story of a young man's fascination with firearms, despite his mother's warnings about their dangers. His obsession eventually leads to a fatal shooting, with the narrator refusing to accept responsibility for his actions. Blending country storytelling with a powerful anti-gun message, the song became one of Earle's most memorable compositions.
Waylon Jennings recorded his own version in 1986, while The Highwaymen, featuring Jennings, Johnny Cash, Willie Nelson, and Kris Kristofferson, introduced it to another generation on their 1995 album The Road Goes On Forever.
The Devil's Right Hand is played with a capo on the 4th fret in standard tuning and is played with root up down up and repeat rhythm pattern. You'll play the chords C, F and G with the odd hammer on but there is a melody line picking break later in the song.
Learn the chords and rhythm, then blend in the odd hammer on and then go back and learn to pick out the melody line picking section.

The Galway Girl (a.k.a. just Galway Girl), was written by Steve Earle and recorded with Irish accordionist Sharon Shannon for his 2000 album Transcendental Blues.
Inspired by a real romantic encounter in Galway, Ireland, the lively Celtic-country song tells of a young man who falls for a dark-haired, blue-eyed woman during a stroll through the city. The recording features traditional Irish instruments, including accordion, fiddle, banjo and tin whistle.
Although Earle and Shannon released the song as a single in 2000, it achieved even greater success when Irish singer Mundy teamed up with Shannon for a new version in 2008. Their recording spent five weeks at #1 in Ireland, helping establish the song as a modern Irish favourite.
This one is in D so I'm playing a capo 2nd fret and playing with the chords C, G, F and Am. For rhythm you'll play root down up down up down up and you pick out various sequences throughout the song that are blended into the rhythm and this sounds fuller with my chords than if you play this one without the capo.
Learn the one rhythm pattern and the four chords, then focus on the various picking patterns throughout the song.

The Mercenary Song was written by Steve Earle during his early songwriting years in the 1970s but remained unrecorded until his 1995 acoustic comeback album Train a Comin'. The song follows two soldiers of fortune who travel from conflict to conflict, offering their services to whoever is willing to pay.
Its old-fashioned storytelling and stripped-down acoustic arrangement reflect Earle's early influences in folk, country and bluegrass music. The recording features respected acoustic musicians Peter Rowan, Norman Blake and bassist Roy Huskey Jr.
Although never released as a commercial single, the song gained renewed attention in 2022 when Irish musician Danny Burns recorded a version featuring Earle himself, blending bluegrass with Celtic and Tex-Mex influences.
You can play this one with a capo 2nd fret with the chords G, C, D and a D7. The rhythm here is a quick shuffle by playing a down down up down up down up with an intro picking riff and a main picking break in the middle of the song. The rhythm changes near the end of the song to a root down up down up down up and then switches back to the original rhythm and you finish out the song with the same intro riff.
Learn the chords and the two rhythm patterns, then focus on the intro / exit riff pattern with rhythm before turning your attention to the main picking break.
Thanks for stopping by my Steve Earle best songs page. I hope the free chords and lyrics sheets, free demo and rhythm tips were useful.

Kirby Swinemar is an acoustic guitar instructor, performer and song arranger who has taught online for 21 years and created more than 4,000 original acoustic guitar lessons. He specialises in song-based acoustic guitar instruction, rhythm guitar techniques, and creating full-sounding solo arrangements that help beginner and intermediate players move beyond basic strumming.
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