Merle Haggard's music defined classic country — and his songs remain as fun to play as they are timeless to hear.
Merle Haggard's music defined classic country — and his songs remain as fun to play as they are timeless to hear.
On this page, you'll find 20 of the most iconic Merle Haggard guitar songs, all arranged for acoustic players looking to capture that signature Bakersfield sound. From outlaw anthems like Okie from Muskogee and The Fightin’ Side of Me to emotional ballads like Silver Wings and Sing Me Back Home, these step-by-step lessons include full video demos, rhythm tips, and printable chord sheets.
Whether you're revisiting these songs or learning them for the first time, you’ll find plenty of favorites in this hand-picked collection.
Check Out The Other Merle Haggard Guitar Songs Video Further Down On This Page
Popular Merle Haggard Guitar Songs
Deep Cuts Merle Haggard Guitar Songs
Big City was the title track from Merle Haggard’s 1981 album Big City, released shortly after he signed with Epic Records.
It became a #1 hit on the Billboard Hot Country Singles chart and remains one of Haggard’s most iconic odes to working-class frustration.
Co-written with his longtime bassist Dean Holloway, the song is a defiant anthem about escaping urban life and heading for wide-open country — a sentiment that resonated deeply with blue-collar America in the early '80s.
I play a capo on the 2nd fret for this one with the three chords D, G and A. I play a drop D tuning here with a bit of lead picking. You'll play a steady down up down up rhythm pattern for this one.
Branded Man was a #1 hit for Merle Haggard back in 1967.
The song is from the album of the same name.
This one is played with a root up down up root up down up and repeat rhythm pattern in standard tuning. No lead here as you play through the chords G, G7, C, D, A7 and a D7.
I Take A Lot Of Pride In What I Am hails from the album "Pride In What I Am" album from 1968.
The song hit #1 in Canada and #3 in the US.
The chords you'll need here are C, Cmaj7, Em7/C, Dm, G, C7, F, Fmaj7, Dm/F played in standard tuning. No lead but a few riffs blended into the rhythm as you play a down down up down up down up and repeat rhythm pattern with a steady shuffle.
I Think I'll Just Stay Here And Drink was a #1 song for Merle Haggard when it hit the airwaves in 1980.
The song hails from the album "Back To The Barrooms'.
For this one play a root up down up root up down up and repeat rhythm pattern with some lead required and in standard tuning. For chords play an A, D7, E and an E7.
If We Make It Through December was released in 1973 as the lead single from the album Merle Haggard’s Christmas Present and later included on If We Make It Through December (1974).
It went on to become a #1 hit and one of Haggard’s most beloved songs, spending four weeks at the top of the country charts.
Though technically a holiday-themed tune, its themes of hardship, unemployment, and hope struck a much broader chord during an economic downturn, making it timeless.
Played in standard tuning with a steady root up down up down up down up and repeat rhythm pattern. For chords you'll need a C, Dm, F, Fm, G6, Am, Am/G, Dm7, A# and a C7. Some picking required in this one.
Mama Tried was released in 1968, “Mama Tried” was the lead single from the album of the same name and quickly became one of Haggard’s most enduring hits.
It topped the country charts and earned a Grammy Hall of Fame induction in 1999. The semi-autobiographical song tells of a rebellious son who ends up in prison despite his mother’s efforts — a reflection of Haggard’s own troubled youth, which included time in San Quentin.
It’s widely considered one of the greatest country songs of all time.
Played in standard tuning and with a root down up down up down up and repeat rhythm pattern with some lead required here. Only four chords which are D, G, A and Bm.
My Favorite Memory is a romantic ballad was released as the lead single from the 1981 album Big City.
It reached #1 on the Billboard country chart, marking yet another chart-topper during Haggard’s successful run with Epic Records.
The song showcases his softer side, reflecting on tender moments from a past love. While overshadowed by “Big City,” it remains a fan favorite for its simplicity and heartfelt emotion.
This one you'll play a root down up down up bass down up down up and repeat for rhythm in standard tuning. Only need a D, G and A7 for chords for this one. Some picking required in this one.
Okie From Muskogee is perhaps Haggard’s most controversial and culturally iconic song.
“Okie From Muskogee” was released in 1969 and soared to #1 on the Billboard Hot Country Singles chart. It was the title track of the Okie From Muskogee live album and became a defining moment in Haggard’s career.
Whether taken as satire or sincerity, the song sparked nationwide debate for its patriotic tone and critique of 1960s counterculture. Either way, it solidified Haggard’s place as a voice for conservative, working-class Americans.
I have a capo on the 3rd fret for this one while playing a root down up bass up down up and repeat for rhythm in standard tuning. A major song with only two chords, C and G.
Ramblin Fever was the title track from Haggard’s 1977 Ramblin’ Fever album, marking his first release under MCA Records.
Although the song surprisingly wasn't released as a single, the album itself was a commercial success and helped transition Haggard into a new phase of his career.
The track became a fan favorite and a staple in his live shows for its autobiographical lyrics about life on the road.
The chords here are G, C, C7 and a D7 in standard tuning and you can play either a root up down up down up and repeat or a root down up down up down up rhythm pattern. Some lead required in this one.
Silver Wings was originally released on the 1969 A Portrait of Merle Haggard album,.
“Silver Wings” was never officially issued as a single, but it became one of Haggard’s most beloved tracks. The soaring melody and emotional lyrics made it a favorite for both fans and other artists, and it has since become a classic, often covered in tribute performances.
Its enduring popularity stands as a testament to its emotional resonance despite not charting.
For rhythm here play a root down up down up root up down up in standard tuning. For chords you'll play an E, Gbm and a B7. A little picking in this one.
Sing Me Back Home is the 1967 title track from the Sing Me Back Home album and was released as a single and became one of Merle Haggard’s most poignant and powerful hits.
It reached #1 on the Billboard Hot Country Singles chart. The song was inspired by Haggard’s time in San Quentin prison and was based on fellow inmate and executed friend, Jimmy "Rabbit" Hendricks.
It’s widely praised for its emotional depth and is considered one of the greatest country songs ever written.
I play a capo 2nd fret and with drop D tuning while playing a root down up root up down up rhythm pattern with the chords D, A and G. You can pick a little in this one.
Swingin Doors was released in 1966 as a single and became the title track of the Swinging Doors and the Bottle Let Me Down album.
It climbed to #5 on the Billboard country chart, helping to solidify Haggard’s honky-tonk reputation.
The song paints a vivid picture of a man trying to get over a breakup with nothing but his barstool surroundings — a theme that would define much of Haggard’s early work.
Some drop D tuning in this number but as I've said many times, drop D is usually optional and not required. This song works well with a steady down up down up pattern as we more thru the walking base notes created with the drop D tuning. Some picking required in this song as you play the chords D, D7, G and A.
The Bottle Let Me Down was also featured on the 1966 album Swinging Doors and the Bottle Let Me Down.
This track was a Top 3 hit on the country charts and remains one of Haggard’s quintessential barroom anthems.
With its clever lyrical twist — the bottle let him down just like his lover did — the song became a jukebox favorite and showcased Haggard’s lyrical wit and emotional honesty.
For this one I'm also playing a drop D tuning with the chords D and A7 while playing a root down up bass up down up and repeat rhythm pattern. A little picking required in this standard tuning two chord song.
That's The Way Love Goes was originally written by Lefty Frizzell and Sanger D. Shafer.
This song had been recorded by several artists before Haggard made it his own. His 1983 version became a #1 hit and the title track of the That’s the Way Love Goes album.
The song won a Grammy Award for Best Male Country Vocal Performance, demonstrating Haggard’s ability to take a well-known standard and deliver a smooth, heartfelt rendition that made it timeless.
Play a root down up down up root up down up pattern here for rhythm with a capo on the 1st fret but that's optional. Some lead in this one in standard tuning with the chords D, Am7, D7, G, A7 and an E7.
The Fightin Side Of Me was released in 1970 as a single and the title track of the live album The Fightin’ Side of Me.
This patriotic anthem became one of Merle Haggard’s most controversial yet defining songs. It hit #1 on the Billboard Hot Country Singles chart and spent three weeks at the top.
Written during the Vietnam War era, it echoed the sentiments of the “silent majority” and was seen as a follow-up to “Okie from Muskogee.”
Haggard himself later admitted the song was a reflection of the time, not necessarily a lifelong viewpoint, showing his complexity as a writer.
This one played in standard tuning with root down up down up down and repeat rhythm pattern and a little bit of picking required and a few riffs. This one starts in E and then to A and B7 and near the end moves up one fret to an F, C and A#.
The Running Kind was released in 1978 on the album A Working Man Can’t Get Nowhere Today and later featured on Serving 190 Proof.
As a minor hit, it reached #12 on the country charts. The song reflects Haggard’s constant need to move on — both literally and emotionally — a recurring theme in his music.
Its blend of restlessness and regret has made it a fan favorite and a staple in tribute performance.
This one is played with root down up root up down up with no capo but I use one here because it get a bit low vocally in spots. Pick a little in this one with the chords G, G7, C, D and D7 in standard tuning.
Things Aren't Funny Anymore is an introspective ballad that was released as a single in 1974 and became another #1 hit for Haggard, featured on the album Merle Haggard Presents His 30th Album.
The song showcases a more somber and vulnerable side, chronicling a relationship slipping into silence and emotional distance.
It was praised for its subtle, understated delivery and marked a shift in tone from Haggard’s earlier honky-tonk themes.
Merle recorded this one in C# so a capo 1st is where I am on this one with the chords C, F, G, Dm, C7 and a Gdim in standard tuning while playing root down up root up down up rhythm pattern. Some lead playing required.
When Times Were Good appeared on the 1986 album A Friend in California, a record that reflected a mix of new material and nostalgic themes.
Though not released as a major charting single, the song is cherished for its reflective lyrics and smooth production.
It stands as a heartfelt look back at simpler times — a theme that resonated with Haggard’s maturing audience in the mid-’80s.
One that was collaborated on with Willie Nelson with a simple root down up root up down up rhythm pattern in standard tuning playing the chords C, F, G and a C7. Some picking required and near the end it's jazzed up a bit or you can leave that out.
White Line Fever was originally featured on Haggard’s 1969 album A Portrait of Merle Haggard.
“White Line Fever” is a hard-driving trucker song that wasn’t released as a single but became a cult favorite. It captures the weariness of constant travel, with “white line fever” referring to the hypnotic effect of long-distance highway driving.
Its gritty realism and driving rhythm made it a precursor to the outlaw country movement.
You can play either a root down up down up root up down up rhythm pattern with a quick shuffle or play a root down up root up down up pattern. I play both in my version here in standard tuning using the chords C, F, G, G7, C7 and an F7 near the end. A little melody picking in this one.
Workin Mans Blues is one of Merle’s signature songs that was released in 1969 and quickly rose to #1 on the Billboard country chart.
It appeared on the album A Portrait of Merle Haggard and became a blue-collar anthem, celebrating the dignity of hard work with a catchy rhythm and bluesy guitar lines.
The song remains one of Haggard’s most enduring classics and helped cement his image as the voice of the American working class.
Play this one in standard tuning with a capo 4th fret with the chords E, A and B7. Some picking needed in this one as you play a steady root down up down up down up and repeat rhythm pattern,
These classic Merle Haggard tracks offer a perfect mix of storytelling, rhythm, and country soul — all tailored for guitarists who want to sound authentic. Whether you’re working on your strumming, learning lead riffs, or simply adding hits like Mama Tried or Workin’ Man Blues to your setlist, this page gives you everything you need to bring these songs to life. Ready for even more?
Be sure to check out our Popular Merle Haggard Guitar Songs and Deep Cuts by Merle Haggard for additional gems you might’ve missed.