The 1960s gave us some of the most emotionally powerful rock ballads ever recorded.
With their heartfelt lyrics, rich harmonies, and memorable melodies, these songs captured the highs and lows of love, longing, and life itself.
This collection of popular 60s rock ballads includes timeless classics by Blind Faith, The Mamas & The Papas, The Raspberries, Gary Puckett & The Union Gap, and more.
Whether you're just starting out or you're a seasoned player, these acoustic guitar lessons will help you bring the warmth and emotion of these iconic tracks to life.
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Can't Find My Way Home was written by Steve Winwood back in 1969 and released by his group Blind Faith, which Eric Clapton was also a part of that band. Over the years the song has been covered by many artists.
It can be found on the album of the same name.
I play a Drop D Tuning on this one with a simple down up down up shuffle rhythm pattern. No lead required with the chords C, G6, C/A#, D, F, G, A7 and Em.
Lady Willpower was a single released from this groups 1968 album which consisted of songs written by the band. Their two previous albums contained several cover songs by other artists. Lady Willpower went to #2 on the Hot Billboard 100 in the summer of 1968.
This one is quite high vocally which has the chords C, F, G, Dm, A#, Em, Fm. The song does a one fret move in the middle of the song but not here in my version.
A few picking riffs needed in the beginning and middle of the song with a down up pause up and repeat rhythm pattern.
Woman Woman was a single released back in 1967 from the bands debut album of the same name. Session musicians from the wrecking crew recorded the music and the song reached #1 in Canada and #7 in Australia. With a re-release in 1974 the song reached #6 in the UK.
The Lettermen, Jim Glaser (the writer) and Glen Campbell all covered this one.
For the rhythm pattern here you can play a root down up root up down up or a quick shuffle with a root down up down up root up down up. You'll also play a few down stroke chops as well. No lead in this one but a key change so the chords needed in standard tuning are A7, D, Gbm, G, Em, Gm, B7, E, Abm, A, Dbm and an Am.
Young Girl was released in March of 1968, 6 months after Woman Woman and also was a huge song for the group, reaching #2 on Billboard and making it to #1 in the UK. This one hails from the album "Young Girl".
The wrecking crew session musicians were also used on this track and on the re-release of the song 6 years later in 1974, it re-entered the UK chart reaching #6.
I play this one with a capo 2nd because of vocal issues and the song being too high vocally. The rhythm pattern here is a down down up down up down up and repeat in standard tuning. The chords you'll need here are Dmaj7, G, Gbm, E7, A, C, A# and a Gb.
California Dreaming an iconic song released in 1965, has become synonymous with The Mamas and The Papas' signature sound. It was featured on their album "If You Can Believe Your Eyes and Ears," released the same year. T
he song achieved remarkable success on the music charts, reaching the 4th position on the Billboard Hot 100 in the United States and the 23rd position on the UK singles chart.
Over the
years, "California Dreamin'" has been covered by a multitude of artists
and bands, attesting to its timeless appeal. Notable covers include
renditions by Barry McGuire, Bobby Womack, José Feliciano, and even the
Beach Boys.
I play a capo 3rd fret on this number in standard tuning. Some lead required with the chords Am, Esus, G, F, E, C and an E7. For rhythm play a down down up down up down up rhythm pattern. You can throw in an upstroke also as you'll see me do in the demo.
Creeque Alley released in 1967 as part of their album "Deliver," is a distinctive song in The Mamas and The Papas' repertoire. Unlike their chart-topping singles, "Creeque Alley" wasn't released as a single and didn't chart separately. However, it played a crucial role on their "Deliver" album, which reached No. 2 on the Billboard 200 chart, showcasing the album's commercial success.
Written by John Phillips and Michelle
Phillips, two integral members of the band, "Creeque Alley" is an
autobiographical narrative that offers a candid glimpse into the
formation and early experiences of The Mamas and The Papas.
This one is played in standard tuning with no lead and the chords B7, E, Gb and a D. For rhythm play a simple root down bass up down up and repeat pattern.
Monday Monday was released in 1966 and is one of The Mamas and The Papas' most iconic songs. It was featured on their album "If You Can Believe Your Eyes and Ears." The song achieved remarkable success on the music charts, making it a memorable part of their musical legacy.
In the United States, it soared to the top of the Billboard Hot 100, securing the No. 1 position, while also reaching No. 3 on the UK singles chart. Written by John Phillips, the song captures the universal feeling of the start of the workweek, making it relatable to audiences worldwide.
For rhythm here play a down down up down down up down up and repeat pattern in standard tuning and no lead. The chords here are G, C, F, A#, D7, Gadd11 and an A.
Go All The Way came out in 1972 on their first album, also called "Raspberries." It was their biggest hit, reaching number 5 on the US charts. The song is about wanting to be with someone and has a catchy vibe that many people loved.
Played with a capo 2nd fret for the original key the chords here are G, C, C/G, F, A#, Gm, Cm, Am, D7, Em, D, Bm, E7, D#, A, Em/D#, Em/D and a Em/C#. For rhythm play a down up pause up down up pause up pattern with a bit of lead in standard tuning.
Let's Pretend was on their second album, "Fresh," released in 1972. This song didn't do as well on the charts, but it still reached number 35 in the US.
It's a softer love song that shows off the band's skill with melodies. The song helped make The Raspberries famous for their power pop sound, which mixed rock energy with pop catchiness. This song are still played on radio stations today and are remembered as classic examples of 1970s power pop music.
I play this one in standard tuning with a down down up down up down up rhythm pattern with a few down stroke chops here and there. No lead but for chords you'll need a G, C/G, Am7, D7, Bm, Em, D, C, F and a B7.
Should I Wait is actually not a 60s song but a 1973 song from the bands album "Side 3".
The song was never released as a single.
I play a drop D tuning for this one and a capo 2nd fret. Some lead work here with the chords G, C, D, D/Gb, Em, B7 and A7 while playing a root down up root up down up and repeat rhythm pattern.
Be My Baby was one of five singles from the only album ever recorded by The Ronettes. Three of the five singles were top 10s and this track made it to #2 in the US and was a top 10 in several countries.
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In The Year 2525 was released by Zager and Evans, who were a duo in the 1960's.
This #1 song in 1969 in both the US and the UK. It was released five years earlier but didn't do much on the charts until the duo got on the RCA label.
This song does half steps climbs so you'll start with the chords Abm, Gb, E, Eb and then change key to include the chords Am, G, F, E, A#m, G#, Gb and an F. You can play a down down up down down up pattern and repeat in standard tuning and some shuffle strumming near the end.
From Blind Faith’s soul-searching “Can’t Find My Way Home” to the lush harmonies of The Mamas & The Papas and the driving romanticism of The Raspberries, these 60s rock ballads offer a perfect blend of nostalgia and musical depth.
With easy-to-follow tutorials, you’ll be strumming along to these unforgettable songs in no time.
And if you’re enjoying these ballads, don’t forget to explore our other 60s guitar lesson collections for even more great artists and hidden gems from the decade that changed music forever.