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Daylight Again is a song by Crosby, Stills & Nash (CSN), without Neil Young's involvement. It is the title track of their 1982 album, "Daylight Again." The song was written by Stephen Stills, with additional contributions from David Crosby and Graham Nash
The track is a reflective and introspective song that explores themes of personal growth, self-discovery, and the passage of time. The lyrics touch upon the complexities of life, relationships, and the search for meaning. The song expresses a desire for clarity, understanding, and a fresh start.
Musically, "Daylight Again" features the signature harmonies of Crosby, Stills & Nash, blending their voices in rich and melodic layers. The arrangement incorporates acoustic guitars, lush vocal harmonies, and a memorable chorus. The song has a mellow and contemplative sound, characteristic of CSN's folk rock style.
"Daylight Again" was not released as a single, but the album it appears on, also titled "Daylight Again," was a commercial success, reaching number eight on the Billboard 200 chart. The album featured other notable tracks such as "Wasted on the Way" and "Southern Cross."
This particular song came about from Stephen Stills just picking some guitar riffs while they told stories about the Civil War. It them combined with the song Cost Of Freedom.
David Crosby recorded this song called "Hero" for his 2016 solo album "Lighthouse".
"Hero" is a slow, contemplative ballad that features Crosby's distinctive voice and acoustic guitar playing. The lyrics of the song are a reflection on the nature of heroism and what it means to be a hero. Crosby sings about the heroic qualities of ordinary people who go unnoticed and unappreciated, and how their actions can have a profound impact on others.
The song has a nostalgic and wistful feel, with Crosby's vocals conveying a sense of wisdom and experience. Musically, it is sparse and understated, with Crosby's guitar and vocals accompanied by subtle touches of piano and percussion.
His last three singles released in 1993, 2014 and 2016 failed to chart.
Johnny's Garden is actually a song that was written by Stephen Stills and included on the self-titled debut album of his band Manassas, which was released in 1972.
The song features Stills' lead vocals and acoustic guitar playing, as well as the distinctive harmonies and eclectic instrumentation that were characteristic of Manassas' music. The lyrics of "Johnny's Garden" describe a peaceful, idyllic place that serves as a refuge from the chaos and turmoil of the world.
"Johnny's Garden" is widely regarded as one of the standout tracks on the Manassas album, and it remains a fan favorite among Stills' solo and collaborative work. The song showcases Stills' impressive songwriting and musical abilities, as well as his skill at blending diverse genres and styles into a cohesive and compelling sound.
Long May You Run is a song written by Neil Young, which was originally recorded by the band The Stills-Young Band. The Stills-Young Band consisted of Neil Young and Stephen Stills, who were both members of Crosby, Stills, Nash & Young.
The song was released as the title track of the band's only album, "Long May You Run," in 1976. The album was intended to be a full collaboration between Young and Stills, but due to creative differences and conflicts, the partnership dissolved shortly after its release.
"Long May You Run" is a heartfelt and nostalgic song with a melodic, country-rock sound. The lyrics express a sentiment of longing, reminiscing about a vehicle that has been a loyal companion on the road. The song is often interpreted as a metaphor for relationships, friendships, or the passage of time.
After the dissolution of The Stills-Young Band, Neil Young continued to perform "Long May You Run" as a solo artist and it became one of his signature songs. He has performed it at numerous concerts and it remains a fan favorite.
It's worth noting that there is another song titled "Long May You Run" written by Neil Young, which he recorded with Crosby, Stills & Nash for their 1974 album, "So Far." The two songs share a similar title but are different compositions.
Long Time Gone is a song by Crosby, Stills & Nash (CSN), without Neil Young's involvement. It was released on their self-titled debut album, "Crosby, Stills & Nash," in 1969. The song was written by David Crosby and serves as the album's opening track.
"Long Time Gone" is a politically charged song that addresses social issues and reflects the turbulent times of the late 1960s. The lyrics touch upon themes of war, inequality, and the need for change. The song expresses a sense of frustration and calls for unity and progress. It also references the assassinations of John F. Kennedy and Martin Luther King Jr., as well as the civil rights movement.
Musically, "Long Time Gone" features the characteristic harmonies of Crosby, Stills & Nash, blending their voices in intricate layers. The song incorporates acoustic guitar-driven folk rock elements, with a catchy melody and memorable vocal hooks.
"Long Time Gone" became one of the signature songs of Crosby, Stills & Nash and was frequently performed during their live shows. It resonated with audiences at the time and continues to be regarded as a classic protest song from the era. The song's powerful lyrics and the group's harmonies contribute to its enduring popularity and its status as a significant contribution to the folk rock genre.
Love The One You're With of course is a single by Stephen Stills and was written by Stephen Stills, who is known for his work as a member of Crosby, Stills & Nash. The song was released as a single in 1970 and appeared on Stephen Stills' self-titled debut solo album.
"Love the One You're With" is an upbeat and catchy rock song that conveys a message of embracing the present moment and finding happiness with what is available. The lyrics encourage the listener to make the most of their current circumstances and to appreciate the people around them, even if they may not be with their ideal partner.
The song's title has become a well-known phrase, often used to convey the idea of accepting and cherishing the person or situation one is currently involved with. The message of the song has resonated with audiences over the years and has been interpreted as an anthem of embracing positivity and making the most of one's relationships and experiences.
"Love the One You're With" achieved significant success as a single, reaching the top 20 on the Billboard Hot 100 chart. It remains one of Stephen Stills' most recognizable and enduring songs. The energetic melody, Stills' distinctive vocals, and the memorable chorus contribute to its popularity and its status as a classic rock staple.
Our House is a song by Crosby, Stills, Nash & Young (CSNY). It was released on their album "Déjà Vu" in 1970. The song was written by Graham Nash, who also provides the lead vocals.
"Our House" is a gentle and melodic folk-rock song that celebrates the simple joys of domestic life and love. The lyrics depict a shared domestic scene, describing a cozy and harmonious home environment. It conveys a sense of warmth, comfort, and a feeling of belonging.
The song is known for its catchy melody, beautiful vocal harmonies, and a memorable piano riff that carries the song. The combination of Nash's tender vocals and the harmonies of Crosby, Stills, Nash & Young creates an enchanting and nostalgic atmosphere.
"Our House" became one of those CSNY songs that stood the test of time, receiving significant radio airplay and chart success. It has been covered by various artists over the years and has become a beloved and recognizable classic in the folk-rock genre.
The song captures the spirit of the late 1960s and early 1970s, reflecting the desire for a simpler, more peaceful existence during a time of social and political unrest. Its universal theme of love and domestic bliss resonates with listeners across generations.
While Joni Mitchell was out in the garden getting flowers, Graham was at her piano, and wrote this song in about an hr. The song was also a top 20 in Canada, The Netherlands and New Zealand.
Southern Cross is a song by Crosby, Stills & Nash (CSN), with the main vocals performed by Stephen Stills. The song was released on their 1982 album, "Daylight Again."
"Southern Cross" is known for its infectious and uplifting melody, catchy chorus, and vivid lyrics. The song's title references the Southern Cross constellation, which is visible in the southern hemisphere and serves as a navigational marker for sailors. The lyrics metaphorically explore themes of self-discovery, wanderlust, and finding one's way in life.
The song's lyrics convey a sense of longing, adventure, and the desire to break free from constraints. It speaks to the idea of embarking on a journey, both physically and metaphorically, in search of personal freedom and a sense of belonging. The chorus, "Got out of town on a boat, going to Southern islands," reflects the yearning for escape and the allure of new experiences.
Musically, "Southern Cross" features the characteristic harmonies of Crosby, Stills & Nash, blending their voices in seamless layers. The song incorporates acoustic and electric guitars, a prominent bassline, and an upbeat rhythm that adds to its infectious energy.
"Southern Cross" became one of CSN's most beloved and popular songs, receiving significant radio airplay and achieving chart success. It remains a staple in their live performances and has been covered by various artists over the years. The song's uplifting and anthemic quality continues to resonate with audiences, capturing the spirit of adventure and the quest for freedom.
Suite Judy Blue Eyes is a song by Crosby, Stills & Nash (CSN), released on their self-titled debut album, "Crosby, Stills & Nash," in 1969. It was written by Stephen Stills and serves as the album's opening track.
"Suite: Judy Blue Eyes" is a complex and multifaceted composition that consists of several distinct sections seamlessly woven together. The song is known for its intricate vocal harmonies, intricate guitar work, and its dynamic shifts in tempo and mood.
The lyrics of "Suite: Judy Blue Eyes" are inspired by Stephen Stills' relationship with singer-songwriter Judy Collins. The song reflects on the complexities of their relationship, the ups and downs they experienced, and the emotional journey of their love affair.
The "suite" format of the song incorporates various musical sections, including acoustic guitar-driven verses, powerful vocal harmonies, and instrumental breaks. Each section features different melodies and arrangements, showcasing the versatility and musical prowess of Crosby, Stills & Nash.
This song is considered one of CSN's most iconic and influential songs. It exemplifies the group's signature vocal harmonies, intricate musicianship, and innovative song structures. The song received critical acclaim upon its release and has since become a staple of their live performances.
Its complex structure and emotional depth have made it a favorite among fans and a standout track in CSN's discography. "Suite: Judy Blue Eyes" represents the artistic ambition and musical artistry that defined the folk rock era of the late 1960s and early 1970s.
Teach Your Children is a song by Crosby, Stills, Nash & Young (CSNY), released on their album "Déjà Vu" in 1970. It was written by Graham Nash, who also provides the lead vocals on the track.
"Teach Your Children" is a timeless and uplifting folk rock song that conveys a message of passing wisdom and values from one generation to the next. The lyrics encourage parents to teach their children well, emphasizing the importance of love, understanding, and acceptance. The song carries themes of unity, harmony, and the hope for a better future.
The song's gentle melody, accompanied by acoustic guitars and the signature harmonies of Crosby, Stills, Nash & Young, creates a warm and comforting atmosphere. The memorable chorus and catchy sing-along quality of "Teach Your Children" have contributed to its enduring popularity.
"Teach Your Children" became one of those CSNY songs which became successful and widely recognized. It received significant radio airplay and became a chart hit. The song's timeless message continues to resonate with audiences of all ages, and it has been covered by numerous artists over the years.
Beyond its musical impact, "Teach Your Children" represents the social consciousness and idealism of the counterculture movement of the 1960s and early 1970s. The song reflects the desire for positive change and the belief in the power of education and nurturing to shape a better world.
Jerry Garcia, from the Grateful Dead, played steel guitar on the track in exchange that CSNY would help them improve their harmonies for an upcoming album.
Wasted On The Way is a song by Crosby, Stills & Nash (CSN), without Neil Young's involvement. It was released on their 1982 album, "Daylight Again."
"Wasted on the Way" is a reflective and introspective song that touches upon the passing of time and the regrets that can accompany it. The lyrics express a sense of nostalgia and longing for lost opportunities or missed connections. It conveys a bittersweet sentiment of recognizing the moments and relationships that were not fully appreciated or valued at the time.
Musically, "Wasted on the Way" features the signature harmonies of Crosby, Stills & Nash, blending their voices in rich and melodic layers. The song has a mellow and contemplative sound, incorporating acoustic guitars, gentle piano, and lush vocal arrangements.
"Wasted on the Way" became a popular track from the "Daylight Again" album. Although it was not released as a single, it received significant radio airplay and resonated with audiences. The song's poignant lyrics and the group's harmonies contribute to its emotional impact and its ability to evoke reflection and introspection.
Overall, "Wasted on the Way" showcases CSN's ability to craft emotionally resonant songs with heartfelt lyrics and captivating harmonies. It serves as a reminder to appreciate the present and value the relationships and experiences in our lives before they slip away.
Woodstock is a well-known composition that has been recorded by various artists, but the most famous version was performed by Crosby, Stills, Nash & Young (CSNY). It was written by Joni Mitchell, who originally recorded and released the song in 1970 on her album "Ladies of the Canyon."
"Woodstock" captures the spirit and essence of the historic 1969 Woodstock Music and Art Festival, which took place in upstate New York. The festival became a symbol of the counterculture movement, peace, and the desire for social change. Joni Mitchell, however, did not actually attend the festival. Instead, she wrote the song based on the accounts and impressions of those who were there.
The lyrics of "Woodstock" paint a vivid picture of the festival, describing the music, the sense of community, and the longing for a utopian world. The song conveys a message of hope, unity, and the power of music to inspire and bring people together.
Crosby, Stills, Nash & Young's rendition of "Woodstock" was released on their album "Déjà Vu" in 1970. Their arrangement of the song features their trademark harmonies and incorporates a more rock-oriented sound.
The CSNY songs version of "Woodstock" became a significant hit and remains one of their most recognizable songs. It has since become an anthem of the Woodstock generation and is often associated with the cultural and social movements of the time.
"Woodstock" has been covered by numerous artists over the years, further solidifying its place as an iconic song in popular culture. Its enduring popularity and timeless message continue to resonate with audiences, reminding us of the transformative power of music and the enduring spirit of the Woodstock festival.
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The Official Neil Young Website - (none for CSNY)